Description
Emulate the resonance of sympathetic strings and produce effects that sound something like a synthesizer and a reverb and have endless fun traversing its intricate layers and design your own unique tone like it’s an extension of your instrument!
To put it simply, the simulated vibrations form a sustaining spectral extension of your instrument that retains a tangible physicality despite its surrealist underpinnings, obviously.
Key Features
- Buffered Bypass or Trails Bypass – Choose whether to buffer your signal, or let the Prismatic Wall resonate even after turning it off.
- Wet/Dry Tone Control – Choose just how much of the prismatic wall is in your tone.
- Primitive Analogue Feel – The hardware combines primitive DSP with analogue saturation to give you a sonic character that sounds from a particular era of analogue tone.
The effects make you feel like you are virtually plucking the strings too, and letting the reactive tone send you and anyone who hears it into a trance, where you can close your eyes and feel how the sound reacts.
By using the fully digital user interface this enables all parameters to be controlled via MIDI, saved as presets, and even modulated by the onboard LFO. In addition, the Morphing function enables controllable transitions between two distinct settings via the Aux footswitch or an expression/CV source.
Who are Electronic Audio Experiments?
Electronic Audio Experiments is an exploration in sound and texture via electronics. Founded in 2015 by guitarist and electrical engineer John Snyder, EAE focuses primarily on stompboxes for electric guitar and bass, with occasional ventures into amplification and synthesis.
Assembled in a small workshop in Boston, MA by a close-knit team with strong ties to the world of audio, offering a mix of unique, purpose-built designs and homages to forgotten circuits of the past—all engineered to exceed the highest standards of quality and enrich the sounds of scrappy touring bands and discerning studio artists alike.
