Description

Explore the Sequential Take 5 – 5-Voice Analogue Synthesizer from . Below you will find product details, specifications and images to help you decide whether it is right for your setup.

When you say analogue synth, you say Sequential. Their latest creation is Take 5, a polyphonic analogue synthesiser that promises to be a staple for iconic sounds over the coming years.

An extremely powerful tool in your arsenal, the Take 5 is a 5-voice Poly Synth with 2 VCOs and a sub oscillator per voice, a classic 4-pole resonant analogue filter from the Prophet-5 rev 4 design, 44 full-size keys on a premium Fatar keybed. The synth's key-split feature allows you to divide the 3.5 octave keyboard into two different zones. To top it all off, you will have access to dual digital effects and FM synthesis, to experience all the nuances of Sequential power, from vintage to modern

Key Features

• 5-voice polyphonic analogue synthesiser
• Two analogue VCOs per voice
• Front-panel FM (frequency modulation)
• Four-pole resonant analogue filter based on Prophet-5 Rev 4 design
• Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, gate) 
• Digital effects include dedicated reverb, multi-effect (delay, BBD delay, chorus, phaser and more), dedicated overdrive effect
• Vintage knob to recreate the typical analogue sounds via micro-variations
• 44 full-sized key on Fatar keybed that can be split into two performance sections
• Built-in 64-steps sequencer and multimode arpeggiator 

All of Sequential in one Synth

The Take 5 was designed for all those who haven't had the chance to experience Sequential's analog legacy so far. It packs up many of the features that made Sequential a leader in the field, like Prophet-5 Rev 4 design's 4-pole filter, per-voice LFOs and a polyphonic 64 steps sequencer.

A Powerful Sound Engine

The Take 5 is based on 2 voltage-controlled oscillators that provide all traditional wave shapes like saw, sine and pulse wave that you can model and enrich with the additional FM engine. The iconic filter shapes the oscillator and sub oscillator sound in classic fashion, while the Drive control adds some fantastic grit to it. Sequential also added a Vintage knob that adds variation to the filter, oscillators and envelope behaviour from voice to voice. 

Take 5 also includes two LFOs, one global and one per-voice, ADSR and delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities.

If this wasn't enough, you can also enjoy a 64-step sequencer and a multimode arpeggiator.

Specifications 

Oscillators

• Two analog VCOs per voice
• Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
• Hard sync: oscillator 1 syncs to oscillator 2
• Square wave sub-octave generator (oscillator 1) per voice
• Keyboard tracking on/off for each oscillator
• Front-panel FM (frequency modulation)

Mixer

• Oscillator 1 amount
• Oscillator 1 sub-octave amount
• Oscillator 2 amount
• White noise/pink noise amount

Low-Pass Filter

• Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design
• Filter can be driven into self-oscillation with the Resonance control
• Bi-polar filter envelope amount

Envelopes

• Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)
• Velocity modulation of each envelope amount
• Envelopes freely assignable to multiple modulation destinations

Low Frequency Oscillators

• Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
• Clock sync (internal or external MIDI clock)
• Freely assignable to multiple modulation destinations

Digital Effects

• One dedicated reverb with damping, pre-delay, decay and tone
• One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
• Dedicated Overdrive effect

Vintage Knob

• Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.

Aftertouch

• Source: channel (mono) aftertouch with bi-polar amount
• Aftertouch freely assignable to multiple modulation destinations

Clock

• Master clock with tap tempo
• BPM control and display
• MIDI clock sync

Arpeggiator

• Up, down, up+down, random, assign modes
• Syncs to MIDI clock
• Re-latching arpeggiation

Sequencer

• Polyphonic step sequencer with up to 64 steps with ties and rests

Performance Controls

• Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
• Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
• Low-split mode creates two independent performance zones with different octave ranges
• Hold switch latches held notes on
• Polyphonic glide (portamento)
• Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
• Factory switch: when off, the front panel is live; what you see is what you hear

Patch Memory 

• 128 user and 128 factory

In/Out

• 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
• USB port for bidirectional MIDI communication
• 1 Sustain/footswitch input
• 1 Expression pedal input
• Main stereo output (2 x 1/4″ phone jack)
• Headphone out (stereo 1/4″ phone jack)

Power

• IEC AC power inlet for internal power supply
• Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption

Physical Specs

• Premium, 3.5-octave, semi-weighted Fatar keyboard
• 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
• Weight: 17 lbs (7.7 kg)

Check the current price and availability, then follow the retailer link to order directly from a UK music retailer.